Joan was not in a comprehending mood. Yes, it was true. It must have been the beginning of all things. Man, pitiless, deaf, blind, groping in the darkness, knowing not even himself. And to her vision, far off, out of the mist, he shaped himself before her: that dim, first standard-bearer of the Lord, the man who first felt pity. Savage, brutish, dumb—lonely there amid the desolation, staring down at some hurt creature, man or beast it mattered not, his dull eyes troubled with a strange new pain he understood not.!

She walked with him to Euston and saw him into the train. He had given up his lodgings and was living with her father at The Pines. They were busy on a plan for securing the co-operation of the workmen, and she promised to run down and hear all about it. She would not change her mind about Birmingham, but sent everyone her love. Joan was about to reply when the maid’s announcement of “Mrs. Denton” postponed the discussion.

And then that she might not see the walls of the room open before her, hear the wild laughter of the thousand devils that were coming to bear her off, she threw herself down, her face hidden in the pillow, and clenched her hands and waited. “Only through the bars, in future,” she promised. “With the gaoler between us.” She put her arms round Flossie and bent her head, so that her face was hidden. It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.